程小蓓，詩人、作家、藝術(shù)活動策劃人，自上世紀(jì)八十年代開始，在從醫(yī)的同時(shí)，創(chuàng)作出大量詩歌作品，出版詩集《熱愛生活》《一支偷來的筆》《她跑進(jìn)跑出》；1997年開始寫小說，出版長篇小說《無奈的生命》、《你瘋了！》。
程小蓓
程小蓓??女，詩人、作家。職業(yè)：醫(yī)生。
出版詩集：《一支偷來的筆》、《上苑、上上苑》
出版小說：《無奈》、《你瘋了！》
記實(shí)圖書：《上苑跨界藝術(shù)從書——建筑日記》、《活路——攝影集》
組織策劃：
１、2000年開始組建“上苑藝術(shù)館（中國現(xiàn)代建筑博物館）”。上苑藝術(shù)館由二十一個(gè)不同原創(chuàng)藝術(shù)建筑群所組成，總占地面積：30000平方米，總建筑面積：19000平方米。于2007年10月基本建設(shè)完成。
２、2007年開始創(chuàng)建“上苑國際創(chuàng)作計(jì)劃”。為多種不同門類的藝術(shù)家，免費(fèi)提供跨界的藝術(shù)交流平臺、生活空間、創(chuàng)作工作室和展覽場地。每年有二十位左右來自世界各地的藝術(shù)家在館進(jìn)行為期7個(gè)月創(chuàng)作與交流。
誠實(shí)與真純的詩 ?程小蓓?我尊敬這樣的詩人——誠實(shí)、真純、有責(zé)任感。但我認(rèn)為不能先為自己設(shè)定一種身份，包括詩人的身份。在寫作時(shí)，我無法讓自己先站在那樣的制高點(diǎn)上，然后再讓文字從自己的指尖像血一樣滴落——從天空的高度滴落時(shí)，會不會像織女撒花呢？但“天女”是一個(gè)虛幻的人。她不食人間煙火。我們能借她的眼睛看到杜甫的“路有凍死骨”，但我們無法借她的皮膚去感知寒冷，并像杜甫那樣感到切骨的痛。拿痛這樣的感覺作例證——這些必須自己親歷過了才能準(zhǔn)確把握的東西。否則，那個(gè)字只是一個(gè)音節(jié)“tong”。用更為“本質(zhì)的人”去寫自己的“親歷”。因?yàn)槿耸紫缺仨氷P(guān)注他自己的感知，再由此延伸出去，關(guān)注他人——關(guān)注民族——關(guān)注國家——關(guān)注人類……。否則，創(chuàng)始的文字無法讓我碰觸，無法讓我進(jìn)入，更不用說讓我與作者一同——感嘆。
英文對照
Cheng?Xiaobei?'s?short?biography:
Cheng?Xiaobei:????????poet,?writer,?medical?doctor.
Profession:??????????????gynecologist,?psychologist
Published?詩歌?Book?:?《A?Stolen?Pen》;?《She?Runs?in?and?Out》
Published?Novels:????《Life?of?Resignation》;?《Are?You?Crazy!？》
Non-Fiction?Books:???《Construction?Diary》?(Shang?Yuan?Multi-Arts?Series)
Chang?Xiaobei?'s?Photography:《Livelihood》：
Town?folks,?market?vendors,?people?passing?through?narrow?winding
streets,?worshipers?at?temples,?strangers?by?the?roadside,?people
bumping?into?one?another??by?accident,.....?are?the?people?destined
to?cross?paths?with?me.??I?pay?close?attention?to?how?they?live,?as?to
understand?what?I?myself?have?not?experienced?in?life?and?to?gain
insight?from?them?to?see?if?I?could?put?myself?in?their?shoes?or
perhaps、I?never?could.
Seven-year?achievement?during?2000-2007:
In?2000?she?began?arranging?for?construction?of
the?Shang?Yuan?Art?Scene?(also?known?as?the?China
Modern?建筑?Scene).?The?Shang?Yuan?Art?Scene
is?composed?of?21?works?of?original?architecture?occupying
a?total?area?of?30,000?meters.?The?total?floor?area?of?the
buildings?is?19,000?square?meters.?Total?investment?is
70,000,000?Yuan.?All?funds?were?raised?by?the?artists?who
belong?to?Shang?Yuan.?Construction?of?the?Shang?Yuan?Art
Exhibition?Hall?and?dormitories?was?basically?finished?in
October?2007.
In 1987, She travelled to shoot pictures, starting from Chengdu, She went to several revolutionary bases in Sichuan, Shanbei 高原, Shanxi, Gunsu, Ningxia and then came back to Beijing detour Shanxi and Hebei. She spent two months and photographed over 10,000 photos. She shot many photo stories and poems among which “Season of Weeds”??“I should sing” have been published in Youth and Young. She set new expression for literary publications. Some of the works have been exhibited worldwide and used as cover pages for books, journals and magazines. In2006she set the unit of “Photography Art” in “Shangyuan Art Museum 建筑 action Art exhibition”.
Poetry of Honesty and Innocence /Cheng xiaobei / I respect those poets who are honest, innocent and conscientious. However, I don’t think it appropriate to determine my own identity as a poet. In writing, I fail to put myself up to such a high status and then let words flow like blood from my fingertips. Will dropping from the sky be like a fairy spreading flowers? But a fairy is a virtual person who neither eats nor sleeps. We can only borrow her eyes to see frozen dead bodies on the sideways. However, we can not borrow her skin to feel the coldness and bitter pain as what Du Fu experienced. Taking pain as an evidence. We all know it is a prerequisite to experience pain before understanding what it is. Otherwise, pain can only be pronounced with “Tong” in Chinese alphabet. Using a more “substantial person” to write his/her own “experiences”. People shall be first concerned with their own sensibility before reaching out to help others, the nation, the country, as well as humankind… Otherwise, the original words refuse my touch and entry. It refuses me to heave signs together with the writer.
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