羅伯特·貝格利（Robert Bagley）是一位美國漢學(xué)家，出生于1967年，現(xiàn)任普林斯頓大學(xué)藝術(shù)史和考古系榮譽(yù)教授。他專注于中國藝術(shù)史和考古學(xué)，并在普林斯頓大學(xué)擔(dān)任教師多年。目前，他是普林斯頓大學(xué)藝術(shù)和考古學(xué)系的教授，致力于推廣中國文化和藝術(shù)的研究。
教育經(jīng)歷
AB (1967), AM (1973), PhD (1981), Harvard University.
MS (1969), University of 芝加哥
出版書籍
1. Books and book chapters
Max Loehr and the Study of Chinese Bronzes: Style and Classification in the History of
Art. Ithaca, NY: Cornell East Asia Series, 2008.
“Anyang Writing and the Origin of the Chinese Writing System.” Chapter 7 (pp. 190-
249) in Stephen D. Houston, ed., The First Writing (Cambridge: Cambridge University
Press, 2004).
[ed.]Ancient Sichuan, Treasures from a Lost Civilization. Seattle and Princeton: Seattle
Art Museum and Princeton University Press, 2001.
“Percussion.” Chapter 2 (pp 34-63, 120-27, and 136-7) in Jenny F. So, ed., 音樂 in the
Age of Confucius (西雅圖: University of Washington Press, 2000).
“Shang 考古學(xué)” Chapter 3 (pp. 124-231) in Michael 羅意威 and Edward L.
Shaughnessy, eds., The Cambridge History of Ancient China (Cambridge: Cambridge
University Press, 1999).
“Les techniques métallurgiques” (pp 37-44) and “Les vases rituels au début de l’âge du
bronze” (pp. 57-64) in Rites et festins de la Chine antique: Bronzes du musée de
Shanghai (巴黎: 蒼蠅座ée Cernuschi, 1998).
[ed.]Art of the Houma Foundry. Princeton: Princeton University Press, 1996. Co-winner
of the 1997 Shimada Prize.
Chapters 1-2 (“Il neolitico”, “L’antica età del bronzo”) in Michèle Pirazzoli, ed., Le arti
della Cina. Torino: UTET, 1995.
Shang Ritual Bronzes in the Arthur M. Sackler Collections. Cambridge MA: Harvard
University Press, 1987.
Chapters 1-6 and entries 1-63 in Wen Fong, ed., The Great Bronze Age of China (New
York: Metropolitan Museum of Art, 1980). Received A. H. Barr prize of the College Art
Association.
主要貢獻(xiàn)
Entries on Chinese 考古學(xué) and Chinese metallurgy in The Dictionary of Art
(倫敦: Macmillan, 1996).
Entries on metallurgy and Chinese archaeology in Ruth Whitehouse, ed., The Macmillan
Dictionary of Archaeology (London: Macmillan, 1983; 2nd ed. 1985). Published in the
United States as The Facts on File Dictionary of 考古學(xué)
主要文章
“Interpreting Prehistoric Designs.” Chapter 1 in Paul Taylor, ed., Iconography Without
Texts (倫敦: Warburg Institute Colloquia 13, 2008), pp 43-68.
“Ornament, Representation, and Imaginary Animals in Bronze Age China.” Arts
Asiatiques 61 (2006), pp. 17-29.
“The Prehistory of Chinese 音樂 Theory.” Proceedings of the British Academy 130
(2005), pp 41-90.
“Quatre conférences sur l’invention dans l’art de la Chine ancienne.” Summary of
lectures given at the École pratique des Hautes Études (IVe Section), Paris, May-June
2003. École pratique des Hautes Études, Section des Sciences historiques et
philologiques, Livret-Annuaire 18 (2002-2003) (Paris: 2004), pp 366-9.
“L’invention des ensembles de cloches accordées en Chine.” In 考古學(xué) et 音樂,
actes du colloque des 9 et 10 février 2001 (巴黎: Musée de la Musique, 2002), pp. 122-6.
Review of Wu Hung’s Monumentality in Early Chinese Art and 建筑 Harvard
Journal of Asiatic Studies 88.1 (June 1998), pp 221-56.
“Nanfang qingtongqi wenshi yu Xin’贛語 Dayangzhou mu de shidai” [“The decoration of
southern bronzes and the date of the Xin’gan tomb”]. In Ma Chengyuan, ed., Wu Yue
diqu qingtongqi yanjiu lunwenji [Studies of bronzes from the Wu Yue area] (Hong Kong:
Tai Yip, 1997), pp 125-36.
“Debris from the Houma Foundry.” Orientations, October 1996, pp. 50-58. Reprinted in
Chinese Bronzes: Selected Articles from Orientations 1983-2000 (Hong Kong: 2001), pp.
246-54.
“What the bronzes from Hunyuan tell us about the foundry at Houma.” Orientations,
January 1995, pp. 46-54. Reprinted with corrections in Chinese Bronzes: Selected
Articles from Orientations 1983-2000 (Hong Kong: 2001), pp. 214-22. Chinese
translation in Wenwu baohu yu kaogu kexue (Sciences of Conservation and 考古學(xué))
10.1 (May 1998), pp 23-9.
“An Early Bronze Age Tomb in Jiangxi Province.” Orientations, July 1993, pp. 20-36.
Reprinted in Chinese Bronzes: Selected Articles from Orientations 1983-2000 (Hong
Kong: 2001), pp. 169-85.
“Cyril Stanley Smith.” Archives of Asian Art 46 (1993), pp 103-5.
“Replication Techniques in Eastern Zhou Bronze Casting.” In Steven Lubar and W.
David Kingery, 電子數(shù)據(jù)系統(tǒng), History from Things: Essays on Material Culture (Washington and
倫敦: Smithsonian Institution Press, 1993), pp 234-41.
“Meaning and Explanation.” In Roderick Whitfield, ed., The Problem of Meaning in
Early Chinese Ritual Bronzes (London: School of Oriental and African Studies, 1992),
pp. 34-55. Reprinted in Archives of Asian Art 46 (1993), pp. 6-26.
“Changjiang Bronzes and Shang 考古學(xué)” Proceedings, International Colloquium
on Chinese Art History, 1991, Antiquities, Part 1 (Taibei: National Palace Museum,
1992), pp 209-55. Chinese translation inNanfang wenwu 1996.2, pp. 31-48.
“A Shang City in Sichuan Province.” Orientations, November 1990, pp. 52-67. Reprinted
in Chinese Bronzes: Selected Articles from Orientations 1983-2000 (Hong Kong: 2001),
pp 122-37. Chinese translation in Li Shaoming, Lin Xiang, and Zhao Dianzeng, 電子數(shù)據(jù)系統(tǒng),
Sanxingdui yu Ba Shu wenhua (Chengdu: Ba Shu Shushe, 1993).
“Shang Ritual Bronzes: Casting Technique and vessel 設(shè)計(jì)” Archives of Asian Art 43
(1990), pp 6-20.
“Max Loehr.” Archives of Asian Art 42 (1989), pp. 86-9.
“Sacrificial Pits of the Shang Period at Sanxingdui in Guanghan county, Sichuan
province.” Arts Asiatiques 43 (1988), pp. 78-86.
“Ancient Chinese Bronzes in the Metropolitan Museum of Art.” Orientations, May 1988,
pp 40-53. Reprinted in Chinese Bronzes: Selected Articles from Orientations 1983-2000
(Hong Kong: 2001), pp. 30-43.
“P’an-lung-ch’eng: A Shang City in Hupei.” Artibus Asiae 39 (1977), pp. 165-219.
A few popular articles and reviews.
4. Accepted for publication/in press.
“Yang Xian chutu de yijian xiang zun.” Forthcoming in Cao Wei and Sun Yan, eds.,
Hanzhong chutu Shang dai qingtongqi (Chengdu: Bashu Shushe), volume 4.
“Anyang Mold-making and the Decorated Model.” Forthcoming in Artibus Asiae.
“Erligang Bronzes and the Discovery of the Erligang Culture.” Forthcoming in Kyle
Steinke, ed., Art and 考古學(xué) of the Erligang Civilization (Princeton: Tang Center).
參考資料 >